All STANZIONE, Massimo Oil Paintings

Italian Baroque Era Painter, 1585-1656 Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,
 

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STANZIONE, Massimo Beheading of St John the Baptist awr oil on canvas


Beheading of St John the Baptist awr
Beheading of St John the Baptist awr
Painting ID::  9153
  c. 1634 Oil on canvas, 184 x 258 cm Museo del Prado, Madrid
  c. 1634 Oil on canvas, 184 x 258 cm Museo del Prado, Madrid

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STANZIONE, Massimo Cleopatra ar oil on canvas


Cleopatra ar
Cleopatra ar
Painting ID::  9154
  1630s Oil on canvas, 169 x 99,5 cm The Hermitage, St. Petersburg
  1630s Oil on canvas, 169 x 99,5 cm The Hermitage, St. Petersburg

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STANZIONE, Massimo Pieta  ry oil on canvas


Pieta ry
Pieta ry
Painting ID::  9155
  1621-25 Oil on canvas, 130 x 181 cm Galleria Nazionale d'Arte Antica, Rome
  1621-25 Oil on canvas, 130 x 181 cm Galleria Nazionale d'Arte Antica, Rome

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STANZIONE, Massimo Judith with the Head of Holofernes oil on canvas


Judith with the Head of Holofernes
Judith with the Head of Holofernes
Painting ID::  70748
  Medium Oil on canvas Dimensions 199.4 x 146.1 cm
  Medium Oil on canvas Dimensions 199.4 x 146.1 cm

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     STANZIONE, Massimo
     Italian Baroque Era Painter, 1585-1656 Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,

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